Sagadahoc Stories #76:1/24/99

Thaw

The world is adrip at 5AM. Completely still and thick fog. A warm air mass pushed into Maine yesterday, dumping rain onto a snow-coated landscape, and temperatures barely dipped below freezing overnight. Now, before dawn, it's disconcertingly mild, the eaves are trickling, and all the dooryard ice is slick and sloppy. Can't see past the woodpile. I crank the Owl, set a scalding cup of tea in the holder, and slide down the drive. Headed to Whitefield to milk the Torberts' goat again.

Feel my way north, with low beams groping for a scraped centerline. Can't imagine how I'd get there, if I didn't know the road. All alone in an impenetrable mist. The bridge at Richmond is a ghostly gridwork with its mouth full of moisture. The road lifts up out of the Kennebec Valley, and the hard curves in Pittston spook me with their suddenness. No sense of speed until the path turns out from under you.

I'm in a fog myself. On Friday I flew to Albany for a service marking the passage of Willy's mother. Now I'm doing the chores while Jim's family is at his mother's funeral. When someone close to you dies, you travel a ways with them into the mystery. Willy taught me how important it is, when the void opens, to have someone on this side, standing by as an anchor. Helping to haul you back. He's done it for me. So I hopped a local to the Hudson, just to be there, and came back to play farmboy. It's not that easy, of course. You look out over the edge at funerals, and it takes a while to regain your balance.

Pirouette

These elders chose the right moment to go, and you have to wonder at the grace of those in extremis. Willy's mom, who spent her last years in an Alzheimer's confusion, played the piano until her final days, shifting key from verse to verse. At the end she waited for the whole family to be there, and they sang her favorite songs as she died. Jim's mother, the ambassador's wife who always got the details right, waited until her grand-daughter's wedding was over, before she let go. Peggy says we too often hurry the dying in our rushing civilization, but they seem to know the necessary timing, despite our haste. And I better slow down on these curves in the fog.


Snow Mist
Helena is very dubious about me this time. Too many strange hands, I guess, but eventually she gives her morning quart, and I button up, head home. Daylight now, and you can see the shadows of trees, the dark loom of brush along the roadside. The air is full of white light. Wind rises with the sun, and the landscape starts to move. Pluming wraiths of mist stream across the way. Now the fields open out, dark details appear, then fade in the flowing whiteout. A line of pines stand clear, like a Chinese inkwash. A lone appletree in a sea of white.

By the time I get home and strap on my snowshoes the wind is steady southeast, and racing fogs are running through the gullies, whirling out onto the river. The shoes keep me from sinking into snowmush in the woods, but striding along the river I feel my legs and feet getting soaked. Looking over my shoulder I see that the backs of the rackets, as they drag on the river ice, are sending up rooster-tails of spray, and my back is drenched from the waist down. I highstep back into the hemlocks and come on a maze of deersign. So this is where they're wintering. Up on the airfield a flock of snow buntings leapfrogs along the runway, now washed clear of snow. You can see the far treelines, and it's starting to rain again in earnest.

If this keeps up, we'll only have a couple weeks in the deepfreeze. Not enough for my taste. But enough for the old folks to go out into a crystal stillness. The ice is still pretty good, a foot or more under the camps, and all the smelt operators are going full bore. Andy and Bert have 55 shanties on at River Bend, Littlefish has 18 up and running, Jimmy and Chubby have their full complement on ice, and the native settlement on the Abby looks like a drunken village. The fish have held up pretty good, so everyone's grinning. Weekends the lots are full and smoke is coming out the stacks.

The past couple weeks passing cells have dashed snow on us, but shaken it down with rain on the backside. After each drenching it took a couple of cold nights to reknit the river surface, then you could skate the Cathance in the early morning. By noon the sun turned the top into gush. Not the greatest icecapades, but gliding along the seeps before the sun is high gives CC a hard run. And the skiing on soaked snowfields is fast, the hills a falldown.

The transition from shoe-slogging to kick-and-gilde, then to sprint skating, mirrors the different speeds out there in America. It can take me two hours to sweat my way around a backlot circuit, or I can be in Albany. I took two outings to the urban this week, and the pace staggered me.

I'd done a couple of sample illustrations for a book proposal Capt. Ken is rustling up: WOODEN MIRACLES, a collection of tales about trees, and I took them over to Arrowsic Wednesday. Ken is putting Chessie back together after chopping out all the topside rot, and the smell in his boatshed made me hungry for Spring. He said he was making a woodrun to Black Mountain for some sycamore the next day, and I offered to ride shotgun. Well, my conversation didn't help much. We got turned around in Gorham, and saw a lot of Windham before we got to the mill.

Songbird Tree

Black Mountain has taken the marbles in the wholesale hardwood business downeast. They started out as another gypsy dealer in exotic woods, bringing in tropical lumber from Nicaragua when the Sandinistas ran the show. Dealing in jungle wood is a risky business, however. Back in the 70s Greg Kaminski shipped a container load of Brazilian hardwood to his homestead in Washington County, and started peddling the gorgeous figured lumber to woodworkers around the state. He'd spent years in Brazil in the Peace Corps, and saw an opportunity to connect the dots. Some of us jumped at the chance to get unusual wood at a discount, but got more than we bargained for. Without an established kiln schedule for the lumber, it was anybody's guess how to cure it. Too much of Kaminski's product exploded after it had been turned into fancy cabinets and delivered to dry houses. It got so you could buy odd lots of that Brazilian wood for pocket change (and I did).


Liberty Elm
Black Mountain had similar experiences. For a long time they had lifts of through-checked Ziricote begging for a market, and I wish I'd bought more of it. But they smartened up, and saw that the only longterm business which could thrive in Portland was as a supplier of conventional species to wholesale customers: production cabinetwork, building contractors, institutional buyers. Guaranteed stable KD lumber of fixed grades, delivered in bulk. Now most of the gypsies of their generation have disappeared, and Black Mountain is the only real game in town.

This attrition, and the steady inflation of materials costs, means you better fill your wallet before a trip to the yard. No more smiling and smoozing with wood junkies and picking up bargains. I could only get to pick at the mill because Ken has an account, and had been invited to sort through the sycamore. Something about power of the press. We squatted his Toyota's shocks with lizardskin sycamore, quilted and wide-board cherry, then got the bill, and swallowed the medicine.

As long as we were close, we decided to go to Black Mountain's retail outlet, where there's a wider variety of species, at fancier prices. My bins are about empty of some things (blacks and yellows, base boards and exciting planks), and I was hot to refill. They saw me coming. The one guy who knew me from way back tried to cut me some deals, but the new manager countermanded every discount, and I paid top dollar for every piece. We pulled out into wall-to-wall traffic, and I couldn't get out of town fast enough. What used to be a leisurely safari through the back end of Portland, a friendly exchange with fellow wood-lovers, and a reasonable market transaction, now feels like a gridlock commute, a quick hustle, and a hard squeeze. Maybe if I was the sort to haggle, I wouldn't have paid $14.50 a foot for that Black Limba they couldn't remember the original price of. Maybe again that's the price of survival in a cut-log business.

My Friday excursion to the Jetport and Albany drove the point home. The sense of impersonal interactions in a rushed-up world was best confirmed when I tried to find the location of an address in an Albany suburb by stopping at a police station. They were busy, just shrugged, said it was in another jurisdiction, and sent me back into the rain. When I found the place it was only half a mile away. But don't bug me. Get in line.


Sag
Living in a small town you can forget how the horses run out there in Urbanity. Highball your prices and hustle the trade downhome, and you may end up out of business. Do otherwise downtown, and you'll get trampled, or so it seems. This helps explain why the local artist eats beans: he forgets how to command respect. He forgets to be clever as a monkey and bold as a stallion. Take the local boy out of his stall, and he looks like a horse's ass.

I came back to the hinterlands bemused and confused, and glad to be home. The dissociative experience of mortal encounters, and the alienations of modern life, bump you off center, put you in a fog. Personal encounters with whole people in place, help clear the air. Setting your hands to tangibilities makes it real again. I set about racking up the ebony and amarello, red birch and white oak. 

 

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