Sagadahoc Stories 122: 2/4/01

Time Out


When Peggy was diagnosed with a tumor in her chest in December we put all our other concerns on hold. Now she's recovered from surgery, and been given a clean bill of health, we're picking up some of our calls. But our sense of time has been given a shock, and some of our fixations come unglued.

End of a Season


Sharpie's Last Sail

We've enjoyed a true winter hiatus, thanks both to the healing and to the weather. A real downeast winter, for a change. After a lingering sailor's Fall, the river ice made quickly in late December, only to break up in one last warm spell, rafting up in the bends. Then the chill set in for New Years and quickly made 4-6 inches of the good stuff. I managed one long skate, checking for holes and thin ice, before it snowed. The cold hasn't quit since, at least not enough to melt the white stuff. The smelt have been running strong. Skiing has been splendid.

But, having stepped off the tredmill for a breather, this winter has become all winters. The rush of chronicle has become the stillness of a poem. Without nostalgia for Autumn or eagerness for Spring. Simply the now of Winter, with gratitude. Time is as you perceive it. Linear time is the stuff of causality, evolution, progress, dialectic, and the modern condition. We'd never achieve and advance and succeed without the linearity of Judeo-Christian time, or the big bang. It would hardly be worth getting up in the morning if we thought we'd have to do it all over again tomorrow.

Last Boats


Last Boat
But the older tradition of circular time has never completely deserted us. Spring planting. Summer fog. Fall colors. Snow. The seasonal round has been a renewing undercurrent for us ever since we left the urbs, and we eventually found connections to the old cycle in all seasons. Ways to sink ourselves in each. The winter landscape, so stark and brilliant, is a dream highway if you have skates, and skis, and snowshoes. A chill place to sweat out the daily bile, and feel the air press around you. A time to feed the stove. Make and mend. A waiting.

The seasons can be doors to the timeless. A brush with mortality quickens your sense of time. How much do I have left? What have I done with it? How fast it runs! But also: what is timeless, and how am I a part of that? The stars and the seasons, life and the human condition, transcend the rushing now. Step outside at night in January and you can look into infinity.. or get a faceful of snow.

Ice Maker


World on your back
Wheels within the wheel, and an axle which doesn't move. We stopped spinning ours this month and now are setting off again, with a slower turning. I've been reminded that those mediations which rev me up.. the news, the e-mail debate, the getting and spending.. only make me unsettled, make me rush through my days. Turning them off was a great relief. Now I'm trying to reengage with the outer whirl without losing my center.

And I've come back to the heart of the work out in Seven Eagles. To keep from losing it before the surgeon went in to find out what was choking Peggy, I conjured up a FROG (in your throat) DEMON. A handful of black amphibian, clutching his throat, and sticking out his red tongue. I handed him to Dr. Tryzelaar when he came out of the operating room to tell me the good news. He smiled. The frog demon was about the size of the tumor, he said. It had taken me five hours to make. It took him five hours to take it out. A nice symmetry.

Frog Demon


The Tryzelaar
While I was carving the black frog, I saw a different cure piece for Peggy. Another dancer for the Spirit Procession. A Heron Dancer. Masked figure in a heron costume, waving great wings, striding forward on stilts. Striking at the frog with her long red bill. A demon-eater. A long-legged bird of renewal. While Peggy was in hospital, I began to carve it. THE TRYZELAAR. A figure of healing power.

So I'm back on the dance path, with a clearer sense of where it goes. These symbolic figures are shamanic emblems of the seasonal round and the natural order. A Smelt Dancer holding up the winter ice. Turtle Island carrying the hemisphere. A Tryzelaar bringing the renewal of Spring. Ritual elements in a dance of circular time. Attempts to portray a local seasonal myth.. something timeless.

Water Mask


Xylogator
Time goes on, of course, especially if you make promises. I delivered a clutch of talismen for Christmas gifts, and a musical pull-toy for a child with Down's Syndrome.. a plaything to aid hand-eye coordination.. the XYLOGATOR. Had to saw up my shop straight-edge to get a resonant clangor. Replaced it with bar steel from the TOAD's metallurgy.

And a new president was selected. My high school classmates threw a big bash in Washington on inaugural eve to celebrate the event. We all suffered through adolescence with George, and even the Democrats among us figured nothing could be worse than that. One of my classmates suggested I make a class gift for the president, and I jumped at the chance to stick out my tongue. I called the piece DUMBO GOES TO WASHINGTON, and it features George W. Elephant riding an enraged bucking jackass, looking a bit Gore-d, with a perforated butterfly on his nose. Snapshot of an American Moment. To appease those of my peers who found the name disrespectful, I changed it to RIDING THE WHIRLWIND after W's reference in his inaugural address. I guess that butterfly is the one in China.. responsible for twisters in Tennessee. Good fun.

Dumbo


Dillo
I also found an armadillo in the woodpile, to send as a charm to the president's personnel director, another high school classmate.. as a gift from a dorm-mate. They callem Texas Speed Bumps down there, but the message inscribed on the belly of this one is : Illigitimi Non Truckum. Don't let the bastards run you down. The ears on DILLO got broken in transit, so I found another one. This one is Tough as Texas.

So I'm fabricating the American Mythos/American Culture Heroes again, too. Finding archetypal moments in national time, working on the series which began with Margaret Mead spitting fire. Ben Franklin printing "E. Pluribus Unum." Elvis and Marilyn and DUMBO? Sigh. To give the series a bit more depth I've just read Fagan's ANCIENT NORTH AMERICA, the classic survey of our native archeology, and my head is full of mammoth migrations and cultural drift. On my workbench is the beginning of VIRGIN CONTACT, a Capt. John Smith and Pocahontas piece. Recapitulating our sabbatical roadtrip on the web put me back on the road to imagining our national myths, and the ascension of George II set me back on the sawdust trail. Praise the lawyers.

Dragon Lady

King of the Blues
I also managed to get down to the crossroads and bring home a Robert Johnson lawn ornament (actually a signboard painting for MacBean's), and Bill Robertson put a Christina Claus ornament in his gallery window, across from the Farnsworth in Rockland, where the original Christina is in residence. Hopefully the last word on crawling iconography.

Some things wonder on, while others come to conclusions. The e-mail journals and illustrations we began on the road carried over into a cycle of dispatches about, and drawings of, Bowdoinham. But third time around the seasons I realize I'm repeating myself. Now I see that chronicling a small town at the Millennium wasn't just a way of focusing on the local.. sinking into place.. it was a way of rejoining the seasonal round. Entraining with circular time. Many of the tales and images were singular events in a changing manscape, but the best of them were seasonal stories in a timeless landscape. I think I'm done with the linear reportage of this village. I've stopped doing the local drawings, at least. I'll try to fry some different fish on this site.

Christina Klaus


Drawings
The travelers on the American Sabbatical site will set off again for the second half of their journey this month, however, and I have a backlog of old local tales and illustrations which have yet to be put together and posted, so stay tuned. Might's well tie up the loose ends, if there's time. I posted images from our drawing group's December show last week, and will put more rogues in the gallery shortly.

Feel's good to be back in my ruts, snorting sawdust and howling at the moon. This week I finished another Spirit Dancer. A wall piece this time, composed in high relief. To the scale of ANIMA MUNDI, the greenwoman I made back when (about 2' tall). This time I imagined a snowstorm at night as a sleepwalking woman, her skirts full of flakes, hair full of wind. A NIGHT SNOW. Her bare arms and legs are tiger maple, shivering cold, as she tiptoes across the air.

Anima Mundi


Night Snow
You have to be careful with this white magic. It started snowing the night I finished her, and now we're up to our tushes in the stuff. Peggy has a snow day today, and we're back by the stove hugging it up. The good stuff goes on forever. Sometimes, when you take a time out, you can almost stop the clock.

Next Dispatch Previous Dispatch Dispatch Index Home Index